S - Z

Saunders, Frances Stonor. "Modern Art Was CIA 'Weapon.'" The Independent (UK), 22 Oct. 1995. []

"[T]he CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.... [I]n the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete."

Saunders, Frances Stonor. Who Paid the Piper? The CIA and the Cultural Cold War. London: Granta, 1999. The Cultural Cold War: The CIA and the World of Arts and Letters. New York: New Press, 2000.

Click for reviews.

Schorr, Daniel.  "When Covert Is Overt."  Christian Science Monitor, 10 Apr. 1998, 15.

Seymour: "Comments on the role of the United States Congress in covert intelligence operations by the CIA."

Silverberg, Marshall. "The Separation of Powers and Control of the CIA's Covert Operations." Texas Law Review 68, no. 3 (Feb. 1990): 575-623.

Stern, Gary. "Covert Action and the Bush Administration." First Principles 15, no. 1 (1990): 4-5. [Petersen]

Trento, Joseph J. The Renegade CIA: Inside the Covert Intelligence Operations of George Bush. New York: Putnam, 1992.

Surveillant 2.6: According to the publisher, this book concerns "off-the-books, extraconstitutional operations around the world."

Turner, Robert F. "Coercive Covert Action and the Law." Yale Journal of International Law 20, no. 2 (Summer 1995): 427-449.

Twentieth Century Fund. The Need to Know: The Report of the Twentieth Century Fund Task Force on Covert Action and American Democracy. With a background paper by Allan E. Goodman and Bruce D. Berkowitz. New York: The Twentieth Century Fund, 1992.

Return to Covert Action Table of Contents